Gersande La Flèche wants to read Wolf Worm by T. Kingfisher

Wolf Worm by T. Kingfisher
Sonia Wilson is a talented scientific illustrator—but she is only able to follow her dream because of her father’s reputation …
Why can't I read all these books!? 🍋🟩
🍵 Lots of nonfiction, literary fiction, poetry, classical literature, speculative fiction, magical realism, etc.
📖 Beaucoup de non-fiction et de fiction, de poésie, des classiques, du spéculatif, du réalisme magique, etc.
💬 they/them ; iel/lo 💻 blog: blog.gersande.com 💌 Find me on fedi the.bisexuals.town/@gersande or bsky
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5% complete! Gersande La Flèche has read 5 of 100 books.

Sonia Wilson is a talented scientific illustrator—but she is only able to follow her dream because of her father’s reputation …
I keep listening to audiobooks at work that make me cry, right now I'm almost sobbing at the complete retranscription of Vito Russo's Why We Fight speech (that you can also find online)
I keep listening to audiobooks at work that make me cry, right now I'm almost sobbing at the complete retranscription of Vito Russo's Why We Fight speech (that you can also find online)
Même si les données disponibles concernant les violences commises contre les enfants [...] sont peu nombreuses, [...] l'institution familiale a été maintes fois épinglée comme scène où se déroulent de nombreuses violences envers les enfants. Les chiffres donnent le vertige et produisent un sentiment d’effroi, aggravé encore par la conscience du rôle des proches parents dans ces violences. Penser celles-ci comme structurelles et non accidentelles conduit parfois à sentir les remparts institutionnels trembler : quelle est donc la légitimité de cette institution familiale qui, alors qu’elle possède la fonction de protection des enfants, constitue l’instigatrice principale des violences envers celleux-ci ? Le paradoxe est grand, et une sensation étrange nous saisit : celle d’avoir fait l’objet d’un jeu de dupes. Nous y avions cru pourtant.
I felt safest when I was unwitnessed by other people. I could move outside of society’s gaze, outside the grip of cultural prescriptions and interventions. My hair could run wild, I could dress androgynously, I could be covered in mud. Being in the culvert or the forest was a chance to move amphibiously, to shape-shift, to creep, to oscillate like algae in a riffle, to be neither a boy nor a girl and have no particular identity at all.
Many species are threatened or endangered in Europe and North America due to a combination of habitat destruction and the ignorant and gruesome practice of snake “roundups,” during which people kill as many snakes as they can. I remember an elementary school classmate of mine, eyes wide with pride, talking about her father’s semiannual snake hunt. He would patrol the perimeter of their suburban home and decapitate any snake he encountered. He would then line up the heads to show his kids before discarding the severed body parts in the trash bin.
My classmate’s pride stemmed from the fact that she, like her father, believed he was protecting their family. People attempt to justify this slaughter on the basis that snakes are dangerous creatures, which is mostly false. Most species in North America are not venomous at all, posing next to no risk to people. Even the potentially lethal timber rattlesnake—given its species name, “horridus,” by early taxonomist Carl Linnaeus in 1758—has killed only a dozen people in the last thirty years across the entire United States. They are not known to be especially aggressive; they’re rather shy, in fact. If they can’t flee, they will usually attempt to warn clumsy humans before opting for their last resort. For this reason, it’s unsurprising that half the reported bites were not hapless encounters. The victims were allegedly handling the snakes—often depicted as agents of the devil in Western Christian stories and imagery—as part of religious services.

Growing up, Patricia Ononiwu Kaishian felt most at home in the swamps and culverts near her house in the Hudson …

Before Gender: Lost Stories from Trans History, 1850–1950 is a 2025 history book by writer and activist Eli Erlick. The …
J'ai attendu 2 mois pour ce livre (problème avec le distributeur/éditeur apparement) et j'ai tellement hâte de le lire. Belle note pour le traducteur au début, j'adore ça.
J'ai attendu 2 mois pour ce livre (problème avec le distributeur/éditeur apparement) et j'ai tellement hâte de le lire. Belle note pour le traducteur au début, j'adore ça.
I love 70s punk and folk music and basically everything that was coming out of CBGB at the time, so there were a lot of historical references that struck really true to me.
Love the dykey energy of the deuteragonist, we need more punk dykes in fiction always!!!
Honestly as someone who finds a lot of time travel a bit tedious to read this was so well done.
Really fun book.

From the New York Times bestselling author of Red, White & Royal Blue comes a new romantic comedy that will …
Came recommended by a few people, but depending on how the first few chapters go this is either going to be a fun read or a DNF because I'm impossible to please !
Came recommended by a few people, but depending on how the first few chapters go this is either going to be a fun read or a DNF because I'm impossible to please !
Was encouraged to read this based on this post.
Content warning Hétérosexualité imposée (compulsive heterosexuality)
Imaginez que dès vos premiers pas dans le monde social, on vous insulte plus souvent que l'on ne vous appelle par votre prénom, que cette aggression verbale répétée s'accompagne d'aggressions physique. L'injure crée chez nous une empreinte indélébile, qu'on nous impose comme une autre peau de honte et de douleur. Avant même que nous n'ayons idée de son sens, de ce que nous sommes ou serons, elle vient nous ancrer dans l'abjection et faire débuter nos récits dans la haine. L'injure est notre genèse qui, dès la cour d'école, inscrit sa marque en nous, pour nous dire notre déviance au bon ordre du monde.
— Queers Riposter à l'injure by Julien Marsay (Page 3 - 4)