User Profile

Gersande La Flèche

gersande@millefeuilles.cloud

Joined 1 year, 5 months ago

💬 they/them ; iel/lo

🍵 Lots of nonfiction, literary fiction, poetry, classical literature, speculative fiction, magical realism, etc. English, French, and many translations.

📖 Beaucoup de non-fiction, de fiction littéraire, de poésie, de classiques, de spéculatif, de réalisme magique, etc. Lecture en anglais et en français, et beaucoup de traductions.

💌 Find me on Mastodon: silvan.cloud/@gersande

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Gersande La Flèche's books

avatar for gersande Gersande La Flèche boosted
City of Last Chances (2022, Head of Zeus) 5 stars

Arthur C. Clarke winner and Sunday Times bestseller Adrian Tchaikovsky's triumphant return to fantasy with …

If Marx was trying to be relevant and writing fantasy today

5 stars

Ok, this book was very fun and gave me some of those excitement in the streets feels at moments I am just always there for. Going in blind to the story, it took me way to long to feel invested in the story, it being fantasy and starting off with a tale about god, I was pretty much ready to swipe left on this one. But then the world came into focus and I was hooked.

I read a review that said in the fantasy world, it's hip to be exploring the magic/creatures/polygod world's through a lens of the industrial revolution rather than bronze or medieval developments. And within this modern trend this is Adrian Tchaikovsky's contribution to that.

I couldn't help but map Marx's capital onto this world, updated by my stronger and stronger appreciation of Tchaikovsky's work and left politics. We have main characters from the factory works, …

Doppelganger (2023, Farrar, Straus & Giroux) 5 stars

What if you woke up one morning and found you’d acquired another self—a double who …

It is an attempt to use my own doppelgänger experience—the havoc wreaked and the lessons learned about me, her, and us—as a guide into and through what I have come to understand as our doppelgänger culture. A culture crowded with various forms of doubling, in which all of us who maintain a persona or avatar online create our own doppelgängers—virtual versions of ourselves that represent us to others. A culture in which many of us have come to think of ourselves as personal brands, forging a partitioned identity that is both us and not us, a doppelgänger we perform ceaselessly in the digital ether as the price of admission in a rapacious attention economy.

Doppelganger by  (4% - 5%)

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Before We Were Trans (AudiobookFormat, 2022, Hachette B and Blackstone Publishing) No rating

A groundbreaking global history of gender nonconformity  Today’s narratives about trans people tend to feature …

We often think of dress as a costume: something that we put on over our internal self, which might reflect or obscure our true identity, but never reshape it. But while the distinction between ‘gender identity’ and ‘gender expression’ is a useful teaching tool, helping to underscore the point that we can’t tell anyone’s gender just from looking at them – I use it myself every time I deliver trans awareness training – the reality of our experience is often more complex. My own dress both reflects and reshapes my gender: sometimes it’s the case that I put on jewellery and a bright, fitted cardigan because I’m feeling less male and more non-binary on that particular morning, but sometimes the reverse is true. Both kinds of gendered experience are equally true for me: my gender isn’t less authentic because a pair of dangly earrings can change how it feels.

Before We Were Trans by  (Page 149)

I love this and relate a lot!