Il grande Gatsby

I freely admit that what finally got me to read this after so long was an article in The New York Times where it is described as a 'quick read' at barely 200 pages and possible to get through in an afternoon. I did not use an entire afternoon, but had a few evenings and therefore found myself reading about Jay Gatsby for the first time at the centenary of his emergence.

My first thought was that the book is quite funnier than I'd imagined. Fitzgerald loves to throw in lines for Nick Carraway that capture the silliness that surrounds him. This made the book a far more amusing read than I had anticipated and helped keep my interest throughout.

As a story, The Great Gatsby is terribly straightforward. There's little in the way of ingenuity per se, and it is the characters, their setting, the culture that surrounds them, and the choices they make that serve as the real interest of the novel. Hindsight also aids in this regard as Nick becomes a 'bond man' like so others in New York City and from this vantage point, that seems like a fatalistic choice given what happened at the end of the decade. Not before Nick gives it up, but it gives the novel an extra sheen of cluelessness that has only become brighter as the years go by.

None of the characters particularly appealed to me. Yes, Gatsby is the most interesting but then his intrigue is half the point of the whole book. Everyone else is quite two-dimensional either interested in money, or the trappings of it. There's so little given to their motivations and thoughts its kind of frustrating. (That said, there is a scene towards the end where Fitzgerald brilliantly, and through only describing the physical scene, shares what Daisy and Tom are thinking.)

I can see why it's a favourite of schools. It's short, has a simple enough story, and embodies enough themes that can be related to by young readers otherwise ignorant of the world. Is that the sum of its worthiness in the literary world? I don't think so, but I don't think the Great Gatsby is near the paragon of 20th century literature, or even Jazz Age literature for that matter.

Overall, three stars for being amusing enough to read straight through, but really, this is just a book to check off your list.

I am pretty sure I read this long ago but this time I remembered virtually nothing about it. I picked this up as a second-hand paperback heavily highlighted by its previous owner(s), probably for a school assignment. All I really recalled was how the story was told from the point of view of a secondary character, Nick Carraway, who knows as little about the title character initially as we do and has to work out his attitude to all the principals as he meets them. What I was mainly interested in was the reputation it has had since its publication in 1925. The writing shows its age but I did notice the care the author took with each of the characters to establish a clear voice, and with the settings to help the reader imagine what it felt like to experience along with the characters. There are a few flourishes of colloquial, non-academic speech I noticed and some passages of emotional description to enhance the mood, whether during a boozy party, a tense situation rising toward violence, or the deep melancholy at the end. Carraway is taken with his enigmatic friend Gatsby and we the readers have to work out how far to go in along the same direction, or to instead reject that point of view as we are presented with that character's flaws. All the characters are messed up in various ways and the social environment can also come in for criticism. This book was closer to a novella, with just the Carraway/Baker subplot against the main story with the two love triangles. I wasn't drawn in as much with this as with the novels I enjoy the most but appreciate the chance to renew my acquaintance with this 99-year old standard.