Paperback, 384 pages
Published Aug. 9, 2022 by Tor Books.
I had a problem getting used to the writing style at first, but as I got used to it I could see the beauty of the story
aoki weaves passion for music together with a sci-fi subplot and a devil's bargain, in what feels like a very strange combination when you read the synopsis, but in fact works perfectly. aoki discusses trans issues, redemption, music, race, and technology with nuance and wit. her characters are vibrant and lively, flawed but lovable. i can't imagine anyone reading this without caring about aoki's characters to the point of tears in both its darker, and more uplifting moments.
i can't recommend this book strongly enough.
Finished this book in about a week. I've heard of Ryka Aoki before but I did not know she was trans, so I was even more hyped to read this book and learn more about her. The writing level is appropriate for something oriented at the YA audience, especially with how it drops pop culture references (lmao Lindsey Stirling, Sword Art Online, and totally-not-undertale) and reaches to the occult and sci-fi. It was easy to breeze through.
I enjoyed the world building and character building a lot for those at the center of the stage, the food is given a lot of care 🤤, it really took the story forward from the start. You start to get draw into the cadence of their life. While the ending felt like what I thought was sufficient for a YA novel, I was disappointed how some characters really did not get their justice/recognition. …
Finished this book in about a week. I've heard of Ryka Aoki before but I did not know she was trans, so I was even more hyped to read this book and learn more about her. The writing level is appropriate for something oriented at the YA audience, especially with how it drops pop culture references (lmao Lindsey Stirling, Sword Art Online, and totally-not-undertale) and reaches to the occult and sci-fi. It was easy to breeze through.
I enjoyed the world building and character building a lot for those at the center of the stage, the food is given a lot of care 🤤, it really took the story forward from the start. You start to get draw into the cadence of their life. While the ending felt like what I thought was sufficient for a YA novel, I was disappointed how some characters really did not get their justice/recognition. There are times that this book feels like a typical YA novel and I wish it said more, but there are other times I remember how important it is that it's doing exactly what it's doing (I say as a queer trans Asian person myself). Just... maybe for someone younger than me (in my 20s)?
As others mentioned, this book could use some content warnings on the traumatic experiences that the main character especially experiences. I also noticed that aspects about inter-Asian discourse aren't really touched on: there's a celebration of primarily East and Southeast Asian cultures, not really a mention of many other cultures like South Asian or issues of colorism.
Content warning Very poor ending; selling souls to hell does pay!
I accept that I'm probably not the target audience for this, but here we go... I so wanted to like this as I've seen lots of good reviews and the book does have lots of good aspects: it's nice to see Asian-American communities described so ...lovingly, the food and violin bits are well done, one of the protagonists is a trans woman. But... it's not well written (too many POV changes, too much telling and not enough showing), Bad Things Are Done directly or indirectly by main characters without accountability, characters lack agency and do things because of the authors being able to make them do things as opposed to them being sufficiently well-developed so that you think they're making their own decisions (e.g when Astrid catches Katrina at a webcam). The sciency bits are complete gibberish. The two plot strands come together very clumsily at the end (really would have benefited from omitting the intergalactic donut salespeople (and another thing, if sales are dipping, why not replicate ...money instead of donuts?) and concentrating on the violin/souls aspect). It's also heinously missold as "Good Omens meets The Long Way to a Small, Angry Planet". It's neither and is a long way from either. I think we can all agree that misgendering is pretty shit, but it doesn't need to be a capital offence; a bit of wish fulfilment perhaps? The quote in the title is said by a character to Katrina but applies to Shizuka, who really is quite a problematic character. And the book lacks empathy for others; there's Katrina, Shizuka, the Trans (get it? the TRANS!) and a few others, but many other people in the book don't rise above NPC level and can be treated accordingly. I feel my blood pressure rising, so I'll stop, but before I do, maybe the book needs content warnings for sexual assault, transphobia, racism and homophobia among others.
Faustian bargains, aliens, the love of music, and the journey of a transgender woman. It all fits together pretty well. I understand the comparisons to Becky Chambers, in that a chosen family supports one another.
In a way this reminds me of Charlie Jane Anders’ All The Birds In The Sky. It’s not often you get a book that manages to tie in not only a lot of LGBT issues but also refugees from outer space and demons with contracts for people’s souls and yet make it all seem like a relaxed and natural world to be in. Obviously it’s a book all about the characters and the choices they make and have made. Very enjoyable and enlightening to ride along with a very foreign perspective from my default one for a while.
Content warning mild spoiler about ending
This book is a combination of a serious coming-of-age / YA novel about a transgender teen girl escaping an abusive family, a star trek parody, and a comedic judeo-christian-urban fantasy along the lines of Good Omens.
The coming-of-age parts are quite touching, although the protagonist is meant to be so extraordinarily talented, it requires a fair amount of disbelief to be suspended.
The soft-sci-fi aspects are amusing, with echos of Hitchhiker's guide to the galaxy, and some attempt at something more serious (the "Endplague") which didn't quite engage me.
The silly-Hell plot points work better with the YA part of the book than the scifi. The climactic battle between the forces of Hell and the Good Aliens is a bit perfunctory.
I didn't find this addressed issues on the same scale that the Becky Chambers books it is often compared with, although it dives into more depth on the specific trials of transgender teens. I guess it feels a bit more like a diary and less like extrapolation.
EDIT: I forgot to mention the Asian-American-Experience aspect of the book, which is interesting, although mainly manifests through loving discussion of food. I would not know how people feel about being referred to as "Asian" in the USA, but it seems to be an identity claimed by people in the book. It is interesting that the love interest of the Asian-American violin teacher is a space alien, but a space alien who looks Vietnamese (yes, the boat-people metaphor is a bit obvious).
Not sure what I think. Did I enjoy it? Sorta. I did finish it, so that's something.
Not a spoiler per se, but the end lacked oomph. It builds and builds and builds then petered out into "everything was fine."
I enjoyed so much of this book. The prose was beautiful in parts and genuinely stirring. But I expected it was building to a stronger ending than what it ultimately delivered.
Wonderful!
